Have you
ever tried to coordinate an activity involving lots of busy people? It’s a headache, right? By the time we re-shot the cover for my book Blaze of Glory last summer, I had bald patches
from tearing at my hair.
Not that
everyone wasn’t willing. I had a gifted
photographer coming from almost two hours away, but she had other commitments
so her availability was limited. The
teenage female model was local, although she had a part-time job so she had to
arrange for time off and for lifts from her mom. The male model was only available two
afternoons a week. The horse had a busy
show schedule, the barn owners were away at horse shows every weekend, and I’m
a single, working parent.
Still, we
managed to agree on a date in early June.
Everything was in readiness.
Then, the morning of the photoshoot, dark clouds rolled in. We nearly lit Facebook on fire with our
frantic messaging, but in the end, we had to postpone. The next date that everyone was available for
was 6 weeks away. The July day brought
peaceful blue skies. Then came the call:
our male model, a university student/lifeguard/serious hockey player, got
called to a sudden meeting by his hockey coach.
It involved making him captain of his team and a potential
scholarship. He couldn’t miss it.
Now, I’d
started off in the spring feeling no particular sense of urgency for getting
the covers of my trilogy done. However,
I had committed to a book signing at the Royal Agricultural Winter Fair in
November, and in order for my books to be ready, the covers had to be submitted
by early September. At this point I was
starting to worry.
Fast
forward three weeks. It’s now the third
week in August. We had a last-minute
scare when the female model couldn’t get time off, but she managed it (I
suspect by lying through her pretty little teeth). They grey clouds that greeted the dawn
miraculously began to part an hour before our scheduled time. I was on my way to our local polo club to
borrow a real polo shirt for our male model when my phone beeped. I almost didn’t want to look, but I pulled
over and checked the message, heart pounding.
“I’m sorry, but I hurt my elbow and I can’t
make it to the photoshoot.” This from the male model.
I said a
few unprintable words as I texted back. “Sorry to hear that, but I’m sure we can
shoot your other side.” (Ok, maybe
not the most empathetic response ever, but hey – I was stressing out.)
“No, I mean I really hurt it… on my way to
hospital. May need to have surgery.” Now I
really felt like a heel.
I texted
back my wishes for a speedy recovery (he’s fine now btw, no surgery). Then I slowly and glumly went on my way to
the polo club, racking my brain for ways to find another tall, attractive man
in his early twenties who would be comfortable around horses and available
immediately. None came to mind.
At the polo
club I found the manager, who handed over the shirt.
On impulse,
I asked, “Say, you don’t happen to have a man to go with that shirt, do you?” And that, folks, is how I ended up with a
professional polo player from Argentina on the cover of my first book. He hardly spoke any English and my Spanish is
negligible, but he was very gracious about the whole thing and I’ll always be grateful.
www.mgarzon.ca
http://www.amazon.com/Blaze-Glory-Volume-m-garzon/dp/0988001306/
2 comments:
Great story...
Thanks! I had no idea what I was getting into when I insisted I wanted to design my own covers :)
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