You can reach Lenore Skomal and check out her blog and other books at her website, www.lenoreskomal.com, or connect with her on Facebook, Twitter, Linked In and Goodreads. Buy BLUFF here.
Words can do exactly what music can: inspire, torture, and
bend the human soul. But for me, the written word is often a product of the musical
stimulation. And for all of the books I’ve written, I have listened to music
while writing them.
In fact, I listen to
music when I write just about anything on my computer. Just ask my son, who
always pokes fun at me since I’ve developed what he considers the blaspheme of
listening to the same old songs in my computer, ad nauseam, never changing them
up or adding new work. He is fairly annoyed at me, too, because he’s a talented
music major in college and has made recordings with several of his bands, but I
continue to listen to his old high school District Chorus performances. They
are my go-to musical inspiration when I’m working on smaller projects, like
now. I’m listening to him sing Tenor 1 in a piece by Greg Jasperse called “Voice Dance 1.”
Romance in F minor, Opus 11
by Dvorak is the piece I listened to continually—as in over and over and
over again—while writing “Keeper of Lime Rock” (rereleased in 2010 as “Lighthouse
Keeper’s Daughter,” Globe Pequot). This piece is so well suited for the
story of Ida Lewis, the Rhode Island lighthouse keeper who was catapulted to
fame by her heroic rescues and then completely forgotten later in life, not
just by her peers but by history. Dvorak writes the score with such heart.
There is a striking melancholia that runs through the orchestral background
movements, while the violin takes center stage. Ida seems to reach out through
the notes of the delicate violin and, every time I hear it, my heart is
rendered helpless.
This piece actually
picked me when I was searching for something to keep me company as I wrote the
final draft of the chapters. I was recently divorced and spending the weekend
at my brother’s house on Martha’s Vineyard to do a complete write-through of
the book. He kept my 9-year-old son busy while I wrote and listened to this
piece, having brought along the cassette tape my ex had given me when we were
first married. This piece was the first on the tape.
“Bluff,” which is out now and available in paperback and e-book--click here to buy-- because of its intense themes, was inspired
by two unrelated pieces by two separate composers: Howard Hanson and Samuel
Barber. You might recall Barber’s Adagio for Strings from
the movie, “Platoon.” This powerfully moving score really helped me plumb the
depths of the protagonist: Jude, the complicated. If you listen to it, you will
feel the sorrow and implicit darkness that surrounded her and left her
bereft. To counter that, Rhythmic Variations on Two
ancient Hymns by Hanson is just delightful to
listen to. It nicely offsets the heaviness of the overlying themes in my book.
It motivates the celestial feel I wanted to achieve in snippets throughout the
book and essentially at the end. In it I hear the voice of Aidan and Jude’s
young baby. I feel spring and the essential cycle of life and death when I hear
this piece.
“Third Willow,” my
yet-to-be released upcoming novel scheduled for a February launh, was woven together by the melodic, playful, heart-stirring
and sometimes haunting themes of Elmer Bernstein who wrote the score for the
movie version of “To Kill
a Mockingbird.” Since my novel is written as a tribute to and with the same
feel as Harper Lee in her classic novel, it only felt right and appropriate to
use it as my audio muse. There are eight movements to the score. In particular,
Boo Who?, otherwise
known as Boo Radley’s theme, reached into my heart and unraveled the words
needed to capture the essence of my Peter Pan protagonist, Hap Pritchard. Every
time I hear it, I can see Hap swaying in the highest branch of the third
willow. I have always said, if I could write only one novel that could impact
the world as that book has, I would die supremely happy, fully content and surely
understood.
1 comment:
I love the way you describe the book as melodic and playful. That make me want to pick it up and it is not out yet.
debby236 at gmail dot com
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