In
Italy, the best museums are ignored by tourists, in America, a
fantastic portrait is relegated to a closet. Only now, it's coming out
of obscurity because suddenly the public realizes that Jamie Wyeth, the gifted son of Andrew Wyeth is as great an artist as his father.
Done
in 1963 when Jamie Wyeth was still a young upstart, it is the portrait
of a famous woman doctor, universally considered a pioneer and the
founder of pediatric cardiology, Helen. B. Taussig (for her biography,
click here).
She was a strong woman, extraordinarily bright and gifted, and it
shows. The portrait is an amazing psychological analysis as well as
esthetically remarkable - the colors, the rendering of the flesh, the
striking blue eyes, the fuzzy hair:
And
here's the portrait's story in the Johns Hopkins Magazine published in
2011 (it shows the above photo of the portrait), to see click here.
This
week the New York Times picked the story up again as now the artistic
value of the portrait is finally recognized because Jamie Wyeth has
finally achieved fame, see here.
Why all the fuss?
Because,
back in 1963, the good doctor and her friends at Johns Hopkins didn't
feel the painter had done justice to her. She was universally seen as a good
woman - and she was, no doubt about that - but the painter had caught
something that was not so visible to everyone: her determination, her
strength, her keen intelligence and capacity to observe/analyze, and
also the angst that inevitably accompanies pioneering work. What eyes!
Compare the portrait to her official photo (on Wikipedia and elsewhere):
See what I mean? The portrait tells a real story, the photo tells a cliché version.
Even
a well done but more conventional portrait (made in 1981 by Patric
Bauernschmidt - it's shown in the NYT article) misses the point about
Dr. Taussig:
What do you think? Is Jamie Wyeth's a bad portrait or a good one from an artistic point of view?
Wyeth has made his reputation as a landscape, still life and animal artist rather than as a portraitist (to see his work, click here)...He
complained that people do not see themselves as the artist does and
therefore did very few portraits - and I can't disagree with him on
that...I've tried my hand at portraits, and there's no doubt that a
portrait is by far exceedingly difficult to pull off successfully - and
very rarely to the satisfaction of the sitter!
By the way, that is also a point I make in Crimson Clouds,
my novel about a retiree-turned-artist to the dismay of his wife.
Portraits are psychological exercises, tough to carry out and
particularly tough when it's a self-portrait: it's very hard to see
oneself objectively!
Showing posts with label Claude Nougat. Show all posts
Showing posts with label Claude Nougat. Show all posts
Sunday, April 6, 2014
Misunderstood Art: Jamie Wyeth's Masterpiece in a Closet
Labels:
Andrew Wyeth,
Claude Nougat,
Italy,
Jamie Wyeth,
New York Times,
Portrait,
Wyeth
When an Audio Clip Turns Into a Radio Show...
Fantastic
job done by the Director of the HighRock Institute Joel Scott and his
partner Angela Castonguay. This is a fiery dialogue taken from CRIMSON
CLOUDS, my just released romance. What was going to be a sample audio
clip was suddenly turned into something quite different, like a radio drama show, with two beautiful voices, male and female, screaming at each other...You can hear it directly on Sound Cloud here , or click below:
Congrats to Joel and Angela! I highly recommend them, they did a superb job, don't you agree? If you want to use their services, click here to contact them, you can read their latest blog post on audiobooks, "does an audiobook make sense for you?", click here.
Listening to that dialogue, think of Robert looking like (ideally!) George Clooney:
And Natasha like Julianne Moore:
Are you wondering what happens next? Is Robert going to get back to Natasha or will other women enter his life? And what about his wife? If you're curious, you can get the book here.
Looking at the future of audiobooks: the dialogue you just heard was extracted from Chapter 16 and of course, in the novel, it's embedded in the text that describes the reaction of each character. However, using more than one voice to read from a book opens up the possibility of theater-like dialogue that, in my opinion, is far more effective and lively than a straightforward reading of the book.
I wonder whether audio-books could be systematically done that way...though it would require extra editing from the author because of the need to turn the dialogues into self-standing pieces and of course, it would require a high level professional reading perfomance.
This suggests that novels re-formatted that way would stand half-way between theater and straight fiction.
What do you think, would that editing effort be worthwhile?It could be the start of yet another way for telling a story, an alternate format...
Congrats to Joel and Angela! I highly recommend them, they did a superb job, don't you agree? If you want to use their services, click here to contact them, you can read their latest blog post on audiobooks, "does an audiobook make sense for you?", click here.
Listening to that dialogue, think of Robert looking like (ideally!) George Clooney:
And Natasha like Julianne Moore:
Are you wondering what happens next? Is Robert going to get back to Natasha or will other women enter his life? And what about his wife? If you're curious, you can get the book here.
Looking at the future of audiobooks: the dialogue you just heard was extracted from Chapter 16 and of course, in the novel, it's embedded in the text that describes the reaction of each character. However, using more than one voice to read from a book opens up the possibility of theater-like dialogue that, in my opinion, is far more effective and lively than a straightforward reading of the book.
I wonder whether audio-books could be systematically done that way...though it would require extra editing from the author because of the need to turn the dialogues into self-standing pieces and of course, it would require a high level professional reading perfomance.
This suggests that novels re-formatted that way would stand half-way between theater and straight fiction.
What do you think, would that editing effort be worthwhile?It could be the start of yet another way for telling a story, an alternate format...
Labels:
Audiobook,
Claude Nougat,
Crimson Clouds,
Dialogue,
George Clooney,
Julianne Moore,
Media clip,
Radio drama,
Reading (process),
SoundCloud
What You Learn in Your 60s...
Time to figure out what the sixties
decade means!
Warning: what I’m going to say here is based on my own experience (!). When I left
behind a lifetime career at the United Nations, I thought I was going to enter
into a wonderful period of R & R (rest and recuperation). Hey, I deserved
it! But no, it didn’t pan out. Too much to do. There was my writing, I wanted
to revive my childhood dream of becoming an artist. But I hadn’t stopped being
a wife, a mother (two grown-up children) and…a daughter. My Mom, 100 years old
and still thriving (she reads one novel a week on her Kindle but I'm the one manipulating the ereader to buy them).
So here goes.
So here goes.
- The biggest transition is realizing that you're the "sandwiched generation". In spite of all the hype about how rebellious Baby Boomers have changed History, the truth is very different. Most of us are not into politics or big events. We find we are responsible for both our old parents and our children. The parents may not be in their dotage quite yet, but they need care. Our children in some cases may still be toddlers (a result of the fashion for late marriages), but for most of us, they are grown-up. With the on-going recession, chances are they’re home, struggling to find a job. As parents, we are happy to have them around, but it's impossible not to worry about their future.
- You've finally know the distance between the real world and the ideal one. The distance is big and no one can pull a fast one on you.
- There may be no "soul mates", you've known there weren't since you were in your 40s, but you can distinguish between your real friends who will help you and those who won't. This is perhaps the most surprising thing: it's still possible to make new friends in your 60s.
- You learn more about yourself, more than you ever thought possible. The last time you learned so much was back when you were in your late teens and early twenties. That's exhilarating. And frightening. For us writers, that transition to greater self-knowledge is a fantastic fount of inspiration to write novels (indeed, that's what inspired Louis Begley with his About Schmidt series, Deborah Moggach with The Best Exotic Marigold Hotel or my own Crimson Clouds, a romance featuring a man who’s just retired).
- On a lighter note: You see the good side of things more easily than before. You've learned to appreciate the simple things in life and honest friendship - because now you trust your judgment and you know you're not going to live forever. Carpe Diem! Catch the joy in each day and spread it around.
- On a yet lighter note: Now you can buy those tight jeans, you've learned to control your weight (about time too!)
The end is like the beginning, full of promise!
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| Oil painting by Claude - Sunset over Rome (2010) |
About
Claude Nougat
Claude is the author of many books, including two in Italian that won several awards in Italy, and six books in English, all fiction except one essay on development aid; she is considered a prime exponent of Boomer literature. Her latest book, Crimson Clouds, is a romance, tracing the passionate search for self by a man who has just retired from a brilliant career and the desperate efforts of his wife to save their 20-year marriage. Her poetry has been included in "Freeze Frame", a poetry anthology curated by British poet Oscar Sparrow and published in 2012 by Gallo-Romano Media.
Claude is married and lives in Italy.
Labels:
Assassination of John F. Kennedy,
Baby Boomer,
Claude Nougat,
Crimson Clouds,
Ed Sullivan Show,
Louis Begley,
The Best Exotic Marigold Hotel
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